Icons the Dc Comics and Wildstorm Art of Jim Lee Cbr
Jim Lee | |
---|---|
Born | (1964-08-xi) August xi, 1964 Seoul, South korea |
Nationality | Korean American |
Expanse(s) | Writer, Creative person, Publisher |
Notable works | All Star Batman & Robin, the Boy Wonder Batman: Hush Fantastic Four vol. 2 The Punisher War Journal Superman: For Tomorrow Superman Unchained Justice League vol. ii Uncanny X-Men WildC.A.T.due south X-Men vol. ii |
Awards | Harvey Honour, 1990 Inkpot Award, 1992 Magician Fan Accolade, 1996, 2002, 2003 |
Jim Lee | |
Hangul | 이용철 |
---|---|
Hanja | 李鏞哲 |
Revised Romanization | I Yong-cheol |
McCune–Reischauer | Yi Yong-ch'ǒl |
Jim Lee (Korean 이용철; born Baronial 11, 1964) is a Korean American comic-book artist, author, editor, and publisher. He is currently the Publisher and Chief Artistic Officer of DC Comics. In recognition of his work, Lee has received a Harvey Award, Inkpot Award and three Wizard Fan Awards.
He entered the manufacture in 1987 as an creative person for Marvel Comics, illustrating titles such as Blastoff Flight and The Punisher State of war Journal, before gaining popularity on The Uncanny Ten-Men. Ten-Men #one, the 1991 spin-off series premiere that Lee penciled and co-wrote with Chris Claremont, remains the best-selling comic book of all time, co-ordinate to Guinness World Records. His style was later used for the designs of X-Men: The Animated Serial.[3]
In the year 1992, Lee and several other artists formed their own publishing company, Image Comics, to publish their creator-owned titles, with Lee publishing titles such as WildC.A.T.due south and Gen¹³ through his studio WildStorm Productions.
Finding that the function of publisher reduced the corporeality of time he was able to devote to illustration, Lee sold WildStorm in 1998 to DC Comics, where he connected to run it as a DC imprint until 2010, besides as illustrating successful titles fix in DC's chief fictional universe, such as the year-long "Batman: Hush" and "Superman: For Tomorrow" storylines, and books including Superman Unchained and the New 52 run of Justice League. On February xviii, 2010, Lee was announced as the new Co-Publisher of DC Comics with Dan DiDio, both replacing Paul Levitz. Upon DiDio's departure from the visitor in February 2020, Lee became the sole Publisher of DC Comics. Since June 2018, he has too been the Chief Creative Officer (CCO) of DC Comics, replacing Geoff Johns.
Aside from illustrating comics, he has done work as a designer or creative manager on other DC products, such as action figures, video games, branded automobiles and backpacks. Outside of the comics industry, Lee has also designed album covers, and 1 of General Mills' monster-themed cereals for its 2014 Halloween edition.
Early on life [edit]
Jim Lee was born on August 11, 1964, in Seoul, South Korea.[4] [5] He grew up in St. Louis, Missouri,[6] [seven] where he lived a "typical middle-form babyhood".[7] Though given a Korean name at nativity, he chose the name Jim when he became a naturalized U.Southward. citizen at age 12.[eight] Lee attended River Curve Elementary School in Chesterfield and later St. Louis Country Twenty-four hours School, where he drew posters for school plays. Having had to learn English when he first came to the U.S. presented the immature Lee with the sense of being an outsider, as did the "preppy, upper-class" atmosphere of Country Twenty-four hour period. As a result, on the rare occasions that his parents bought him comics, Lee'due south favorite characters were the X-Men, considering they were outsiders themselves. Lee says that he benefited as an creative person by connecting with characters that were themselves disenfranchised, like Spider-Man, or who were built-in of such backgrounds, such as Superman, who was created by two Jewish men from Cleveland to lift their spirits during the Depression. His classmates predicted in his senior yearbook that he would plant his own comic book company.[half-dozen] [seven] Despite this, Lee was resigned to following his begetter's career in medicine, attending Princeton University to study psychology, with the intention of condign a medical doctor.[7] [ix]
Comics career [edit]
Ascension to fame at Marvel Comics [edit]
In 1986, as he was preparing to graduate, Lee took an art class that reignited his love of drawing, and led to his rediscovery of comics at a time when seminal works such as Frank Miller's The Night Knight Returns and Alan Moore and Dave Gibbons' Watchmen spurred a renaissance within the American comics industry.[7] After obtaining his psychology caste,[9] he decided to postpone applying to medical school, and earned the reluctant approval of his parents past allotting himself i year to succeed, vowing that he would attend medical school if he did not break into the comic book industry in that time. He submitted samples to various publishers, just did non find success.[vii] When Lee befriended St. Louis-area comics artists Don Secrease and Rick Burchett, they convinced him he needed to evidence his portfolio to editors in person, prompting Lee to attend a New York comics convention,[6] where he met editor Archie Goodwin. Goodwin invited Lee to Marvel Comics, where the aspiring artist received his offset assignment by editor Carl Potts, who hired him to pencil the mid-list series Alpha Flying, seguéing from that title in 1989 to Punisher: War Journal.[seven] [x] Lee's piece of work on the Punisher: War Periodical was inspired past artists such as Frank Miller, David Ross, Kevin Nowlan, and Whilce Portacio, as well every bit Japanese manga.[10]
In 1989, Lee filled in for regular illustrator Marc Silvestri on Uncanny X-Men #248 and did another guest stint on issues 256 through 258 every bit office of the "Acts of Vengeance" storyline, eventually becoming the series' ongoing creative person with event #267, following Silvestri'south departure. During his stint on Uncanny, Lee first worked with inker Scott Williams, who would become a long-fourth dimension collaborator. During his run on the title, Lee co-created the graphic symbol Gambit with long-time X-Men author Chris Claremont.
Lee's artwork chop-chop gained popularity in the eyes of enthusiastic fans, which allowed him to proceeds greater creative control of the franchise. In 1991, Lee helped launch a 2d X-Men series simply called X-Men Volume 2, as both the artist and every bit co-writer with Claremont.[11] X-Men Vol. ii #1 is nonetheless the acknowledged comic volume of all-time with sales of over 8.1 million copies and most $7 one thousand thousand, according to a public proclamation past Guinness World Records at the 2010 San Diego Comic-Con.[12] [13] [xiv] [15] The sales figures were generated in part by publishing the issue with five different variant covers, four of which show dissimilar characters from the book that formed a single epitome when laid side by side, and a fifth, gatefold comprehend of that combined image, large numbers of which were purchased by retailers who anticipated fans and speculators who would purchase multiple copies in order to acquire a consummate collection of the covers.[sixteen] Lee designed new character uniforms for the series, including those worn past Cyclops, Jean Grayness, Rogue, Betsy Braddock and Storm. He likewise created the villain Omega Red. Lee's manner of rendering the X-Men was later used for the designs the television program Ten-Men: The Animated Series.[3] Actor/comedian Taran Killam, who ventured into comics writing with The Illegitimates, has cited X-Men No. 1 every bit the book that inspired his interest in comics.[two]
Stan Lee interviewed Lee in the documentary series The Comic Book Greats.
Image Comics and WildStorm, return to Marvel [edit]
Enticed past the idea of being able to exert more than control over his ain work, in 1992, Lee accepted the invitation to join half-dozen other artists who broke away from Marvel to form Image Comics, which would publish their creator-owned titles.[9] Lee's group of titles was initially called Aegis Entertainment before being christened WildStorm Productions, and published Lee's initial championship WildC.A.T.due south, which Lee pencilled and co-wrote, and other series created past Lee in the same shared universe. The other major series of the initial years of Wildstorm, for which Lee either created characters, co-plotted or provided art for, included Stormwatch, Deathblow and Gen¹³.
In 1993, Lee and his friend, Valiant Comics publisher Steve Massarsky, arranged a Valiant-Prototype Comics crossover miniseries called Deathmate, in which the Valiant characters would interact with those of WildStorm, and of Lee'due south fellow Image partner, Rob Liefeld. The miniseries would consist of iv "center books" (each ane denoted by a color rather than an result number), two each produced by the corresponding companies, plus a prologue and epilogue book. Wildstorm produced Deathmate Blackness, with Lee himself contributing to the writing. He illustrated the covers for that book, the Deathmate Tourbook and the prologue book, equally well as contributing to the prologue'due south interior inks.
WildStorm would expand its line to include other ongoing titles whose creative work was handled by other writers and artists, some of which were spinoffs of the earlier titles, or properties owned past other creators, such as Whilce Portacio'south Wetworks. Every bit publisher, Lee subsequently expanded his comics line creating 2 publishing imprints of WildStorm, Homage and Cliffhanger (that years afterward merged and were replaced by a single WildStorm Signature imprint), to publish creator-owned comics by some selected creators of the U.s. comics industry.
Lee and Rob Liefeld, another Marvel-illustrator-turned-Image-founder, returned to Marvel in 1996 to participate in a reboot of several classic characters; the project was known as Heroes Reborn. While Liefeld reworked Helm America and The Avengers, Lee plotted Iron Man [17] and plotted and illustrated Fantastic Four bug #one–vi.[xviii] Halfway through the project, Lee'due south studio took over Liefeld'south two titles, finishing all four series. Co-ordinate to Lee, Curiosity proposed continuing the Heroes Reborn lineup indefinitely, but under the status that Lee would draw at least 1 of them himself, which he refused to do. Instead, he accepted an offer to re-imagine and relaunch (in the role of editor) 3 mainstream Marvel Universe titles: Defenders, Doctor Strange, and Nick Fury.[19] Though scheduled to debut in December 1997, these three relaunches never appeared.
Lee returned to WildStorm, where he would publish serial such as The Dominance and Planetary, also every bit Alan Moore's imprint, America's Best Comics. Lee himself wrote and illustrated a 12-issue serial called Divine Right: The Adventures of Max Faraday, in which an net slacker inadvertently manages to download the secrets of the universe, and is thrown into a wild fantasy globe.
Movement to DC Comics [edit]
Because he felt his role as publisher and his growing family demands interfered with his role every bit an artist, Lee left Epitome Comics and sold WildStorm to DC Comics in late 1998,[20] [21] enabling him to focus once more on art.[7] [nine] He drew a "Batman Black and White" backup story for the commencement issue of Batman: Gotham Knights (March 2000).[22] In 2003, he collaborated on a 12-upshot run on Batman with writer Jeph Loeb.[23] "Hush" became a sales success. That aforementioned year, Ubisoft released Batman: Rising of Sin Tzu, a side-scrolling beat 'em up video game whose titular villain was designed past Lee, a fact that served as the principal draw to the game.[24] [25]
In 2004 Lee illustrated "For Tomorrow", a 12-result story in Superman past writer Brian Azzarello.[26]
In 2005, Lee teamed with Frank Miller on All Star Batman & Robin, the Male child Wonder,[27] a series plagued past delays, including a ane-year gap betwixt the releases of the fourth and 5th issues. Lee himself took full responsibleness for the delays, explaining that his involvement with the DC Universe Online video game were the cause, and non Miller's scripts, which had been completed for some time.[28] [29] [30] All-Star also drew controversy[31] [32] for Miller'due south dialogue, pacing and depiction of the characters,[33] garnering reviews that were mixed[34] to negative,[33] [35] [36] though Lee's art was praised,[33] and the book enjoyed excellent sales.[32] [37] A total of ten issues were produced of that series,[34] the 10th issue being released on September 24, 2015.[38] In September 2015 Lee indicated the possibility of returning to the book to conclude it with Miller's originally intended ending,[39] simply this serial was never produced.[32]
Lee continued to run WildStorm as editorial managing director, sometimes working on both DC and WildStorm properties simultaneously. In September 2006, Lee returned to WildC.A.T.s with Grant Morrison as the writer, but just one issue of that serial' fourth volume was published.
Lee provided artwork for the album booklet for Daughtry's 2009 album Exit This Boondocks. In February 2006, it was announced that Lee would be involved with the concept art for the DC Comics online game DC Universe Online.[nine] In 2008, Lee was named the Executive Creative Managing director of the forthcoming game, which at that time was expected to be released in 2009.[40] In Feb 2010, Lee and Dan DiDio were named Co-Publishers of DC Comics past DC Entertainment President Diane Nelson.[41] [42] [43] Co-ordinate to Lee, this did not indicate another move away from the creative side of comics, as his Co-Publishing duties granted him greater artistic interest in the entire DC line and allow him to illustrate titles.[7] [44] DC announced they were catastrophe the WildStorm banner in September 2010.[45]
2010s [edit]
In September 2011, DC Comics instituted an initiative chosen The New 52, in which the publisher cancelled all of its superhero titles and relaunched 52 new series with No. 1 problems, wiping out near of the then-current continuity. Lee and writer Geoff Johns, DC Comics' Chief Creative Officer, were the architects of the relaunch, which was initiated with a new Justice League series, written and illustrated by Johns and Lee, respectively.[46] The serial' first story arc was a new origin of the Justice League, which depicted the return of DC's primary superheroes to the team.[47] Lee's illustration for the cover of result No. 12 drew media attention for its delineation of Superman and Wonder Woman in a passionate encompass, a rendition that Lee said was inspired by Gustav Klimt'due south painting The Kiss and Alfred Eisenstaedt'due south 1945 photo V-J Day in Times Square.[48] [49] [fifty] [51]
In July 2012, equally part of the San Diego Comic-Con, Lee and Dan DiDio participated in the product of "Heroic Proportions", an episode of the Syfy reality television competition series Face Off, in which special furnishings makeup artists compete to create the all-time makeup according to each episode's theme. Lee and DiDio presented the contestants with that episode'southward challenge, to create a new superhero, with 6 DC Comics artists on paw to help them develop their ideas. The winning entry's grapheme, Infernal Core by Anthony Kosar, was featured in Justice League Night #sixteen (March 2013),[52] [53] which was published Jan xxx, 2013.[54] The episode premiered on January 22, 2013, every bit the 2nd episode of the 4th season.[55]
In October 2012, DC Entertainment and Kia Motors America entered a partnership to benefit We Can Be Heroes, a entrada dedicated to fighting hunger in the Horn of Africa. The entrada involves the cosmos of eight Justice League-inspired vehicles, on whose designs Lee collaborated. Each vehicle is tied thematically to a member of the Justice League,[56] the start of which was a Batman-themed Kia Optima.[57] A Superman-themed version inspired by Lee'due south art followed in February 2013.[58]
In 2013, Lee designed a new version of the Mortal Kombat character Scorpion for use in the DC fighting video game Injustice: Gods Among U.s.a..[59]
On May 4, 2013,[60] DC published a Gratuitous Comic Book Twenty-four hours sneak preview of Superman Unchained, an ongoing serial written past Scott Snyder and illustrated past Lee, which was published on June 12, 2013, and intended to coincide with the feature moving picture Man of Steel, which opened two days later on.[61]
In 2013, Lee was announced equally a fellow member of a newly formed informational board of the Comic Book Legal Defense Fund, a not-turn a profit organization founded in 1986 chartered to protect the First Amendment rights of the comics community.[62]
In 2014, General Mills enlisted the help of DC Comics to create new designs for its monster-themed cereals in fourth dimension for Halloween. The designs, revealed on August 6, consisted of a Boo Berry pattern by Lee, a Count Chocula blueprint by Terry Dodson and a Franken-Berry blueprint by Dave Johnson. Describing the chore of designing a cartoon grapheme, Lee explained, "Drawing simpler characters is a lot more than piece of work and harder than cartoon something that's more complicated or has a lot of renderings. Every line counts and every distance between the optics and the ears, it'southward all super critical."[63]
In February 2015, DC released The Multiversity: Mastermen, the 7th issue of Grant Morrison'south The Multiversity project, which Lee illustrated.[64] That same yr, Lee provided designs for a Batman activeness effigy every bit function of the visitor's BlueLine Edition series, to be released at that year'due south San Diego Comic-Con.[65] [66] A Superman figure designed by Lee followed in 2016.[67] November 2015 saw the debut of the miniseries Batman: Europa, on which Lee collaborated with writers Brian Azzarello and Matteo Casali and artist Giuseppe Camuncoli.[68] The book, which was inspired by Lee'due south time living in Italy,[69] was originally announced past DC in 2004, and intended to feature Lee's painted art over Camuncoli'south layouts,[68] [lxx] [71] but after a series of delays,[68] [72] [73] it was published with conventional artwork[68] as a four-effect miniseries to positive reviews.[74]
In 2016, Lee was the main artist on the 1-shot Harley Quinn and the Suicide Squad April Fool's Special sharing art duties on that book with Sean Galloway. That August, DC released the offset of viii bug of Lee and writer Rob Williams' new Suicide Squad series, every bit role of the DC Rebirth relaunch.[75]
In July 2017, Marvel decided to capitalize on Lee'due south popularity past releasing 29 of its books with covers reprinting Lee'southward fine art for its 1992 Serial 1 X-Men trading cards.[76]
In March 2018, Lee and author James Tynion Four launched the serial The Immortal Men as function of DC'south New Age of Heroes line.[77] [78] That June, following the departure of DC Entertainment's Diane Nelson,[79] and Geoff Johns' stepping down from his part as Main Creative Officeholder (CCO) of DC Comics, Lee was named DC's CCO, a role he would assume while continuing to act as publisher with Dan DiDio.[lxxx]
In May and June 2019, Lee, writer Tom King, and CW series actresses Nafessa Williams, Candice Patton, and Danielle Panabaker toured five U.S. armed services bases in State of kuwait with the United Service Organizations (USO), where they visited the approximately 12,000 U.S. military personnel stationed in that state as part of DC's 80th anniversary of Batman celebration.[81]
On June five, 2019, Lee and the fashion accessory make HEX launched a Kickstarter crowdfunding campaign for 2 Batman-branded backpacks designed specifically for comics artists and collectors. The former, the HEX x Jim Lee Artist Backpack, is designed with features specifically for transporting art supplies and portfolios, such as a 11" x 17" dedicated portfolio cases, waterproof pockets for inks and paints, and organizers for brushes and pens. The latter, the HEX ten Jim Lee Collectors Backpack, is designed with features for transporting art collections, such as fleece-lined pockets for comics, a poster tube holder, a pocket for the Overstreet Cost Guide, and an anti-theft zipper lock. In addition to the Batman artwork by Lee that adorns both backpacks, the collectors version features batarang zipper pulls.[3] [82]
2020s [edit]
In belatedly Feb 2020, post-obit the deviation of Co-Publisher Dan DiDio, Lee became the sole Publisher of DC Comics.[83] The post-obit calendar month, amid the global COVID-19 pandemic, Lee began a 60-mean solar day series of daily sketches, auctioning off the proceeds of each sketch to a different random brick and mortar shop that had closed as a outcome of the pandemic.[84] [85] The endeavor, which was done in partnership with DC and the BINC Foundation, saw the completion of the final sketch in July 2021. That drawing, which depicted Jason Todd, sold for $25,100 on eBay, while the entire entrada raised a total of over $800,000 for beleaguered comics shops.[86]
On November 25, 2021 Lee appeared alongside several other Asian and Pacific Islander celebrities, including actor Simu Liu, lawn tennis player Naomi Osaka and Top Chef host Padma Lakshmi, in the Thanksgiving day television program Come across United states of america Meeting: A Sesame Street Special. [87] [88] The programme was billed every bit a celebration of those communities,[89] and introduced the series' get-go Asian American Muppet, a seven-year-old Korean girl named Ji-Young. The special premiered on HBO Max, PBSKids, Facebook, Instagram, and YouTube, every bit part of the Sesame Workshop'southward "Coming together" initiative, which endeavors to educate children about race, civilization and racial justice. Information technology featured Lee showcasing his illustration of Ji-Young interacting with other Muppets.[88]
Technique and materials [edit]
Lee is known to use F lead for his pencil work.[ninety] [91] While inking his own pencils on The Punisher War Journal, Lee began using a crowquill beak for the first time.[10] When illustrating full folio commissions or sketches, Lee uses the drybrush technique in order to achieve greytone areas with an uneven texture, applying india ink to the paper and then rubbing it with a tissue,[92] or past using a brush to fill in areas of blackness, and then using the brush to consequence drybrush effects after it is near depleted of ink.[93] To create white highlights, he uses a Pentel correction fluid pen.[92]
In talking most the artist's work ethic, Lee has said, "Sometimes I wonder if we ever really improve every bit artists or if the nirvana derived from completing a piece blinds us enough to love what we accept created and move on to the side by side piece. If we could see the piece of work as information technology is, with years of reflection in the here and now, how many images would end up in the trash rather than on the racks?"[94]
Criticism [edit]
In a 1996 interview with The Comics Journal, writer/illustrator Barry Windsor-Smith criticized the depth of the work of artists like Lee and Rob Liefeld, and those whom they influenced (whom he referred to as "the Liefelds and the Lees"), stating, "Your Jim Lees and all this lot, their product hasn't got anything to do with them, you know? There is no emotional investment...I expect at Jim Lee's work, and the guy's learning how to draw. He has some craft to what he does...I don't recollect information technology has even crossed their minds that comic books can be a medium for intimate self-expression." The Comics Journal publisher Gary Groth concurred, stating "Lee's work is obviously more technically achieved than Liefeld's, but otherwise information technology's conceptually comparable." Windsor-Smith added that he believed in the Prototype Comics' founders' exodus from Marvel Comics as an of import step for creator autonomy and creator rights, and was angered when they returned to Marvel to do "Heroes Reborn".[95]
Personal life [edit]
Lee is married to Carla Michelle Lee.[96] [97] In 2012, when Carla was pregnant, Lee included a tribute to her in Justice League #5, writing "I LOVE CARLA" on the shattered windshield of a automobile onto which Batman jumps.[97] Equally of November 2016, they had nine children, ages 2 to 23.[92]
In the 1990s, Lee bought two pages of Jack Kirby concept art, which Kirby had created for a film accommodation of Roger Zelazny's novel Lord of Lite, every bit part of the cover story to smuggle Americans out of Iran during the 1980 hostage crisis. Lee purchased the fine art at a Sotheby's auction via Barry Geller, the producer of the fake film, who was selling it to help pay for his kid's college tuition. The CIA operation that rescued the Americans remained classified for another 17 years, and thus Lee had no idea of the pages' historical significance, nor did Geller know their true budgetary value when he sold them to help pay his son'due south college tuition (with Kirby's permission). Both Lee and Geller learned of the truthful story behind the art years after with the rest of the public. In August 2013, four of Lee's children were headed for higher, and he and Carla decided to auction off the art through Heritage Auctions in order to pay for their teaching.[96]
Awards [edit]
- 1990 Harvey Honor for Best New Talent[98]
- 1992 Inkpot Award[99]
- 1996 Wizard Fan Award for Favorite Penciller[100]
- 2002 Wizard Fan Award for Favorite Penciller for Batman [101]
- 2003 Wizard Fan Honor for Favorite Penciller[102]
Bibliography [edit]
Interior work [edit]
DC Comics [edit]
- Action Comics #800 (1 page only); #1000 (cover and 12 pages, amongst other artists) (2003, 2018)
- All Star Batman & Robin, the Boy Wonder #1–10 (2005–08)
- Batman (Vol. 1) #608–619 (2002–03)
- Batman Europa #1 (2015)
- Batman: Gotham Knights (Batman Blackness and White) #1 (2000)
- Night Days: The Forge #1 (2017)
- Dark Days: The Casting #ane (2017)
- Detective Comics #1000 (various artists) (2019)
- Divine Right The Adventures Of Max Faraday (2014)
- Harley Quinn (Vol. 2) #0 (2014)
- Harley Quinn and the Suicide Squad April Fool's Special #1 (2016)
- The Immortal Men #one (2018)
- Just Imagine Stan Lee with Jim Lee creating Wonder Woman (2001)
- Justice League (Vol. i) #1–6, 9–12 (2011–12)
- Justice League Day, Special Edition, #1 (2018)
- Justice League of America (Vol. 2) #0 (ane page just) (2006)
- Legion of Super-Heroes: Millennium #1 (among other artists) (2019)
- The Multiversity: Mastermen #1 (2015)
- The New 52 (Free Comic Book Day) #1 (2012)
- ix-11: The World's Finest Comic Book Writers & Artists Tell Stories to Recall, Volume 2
- Orion (Tales of the New Gods) #12 (2001)
- Preacher (comics) #l (1999)
- Suicide Squad, vol. five, #one–8 (2016)
- Superman (Vol. 2) #204–215 (2004–2005)
- Superman Unchained #1–9 (2013–2014)
- Superman/Batman #26 (ii pages, various artists) (2006)
Vertigo [edit]
- Blanch #ane (1999)
- Preacher #fifty (1999)
- Weird War Tales (one-shot) (2000)
- 100 Bullets #26 (2001)
- DMZ #50 (2010)
WildStorm [edit]
- Robotech #0 (2002)
- Coup d'état: Sleeper (2004)
- The Intimates #1–6 (2005)
- WildC.A.T.s, (Vol. 4) #1 (2006)
- Wildstorm Fine Arts Spotlight: Jim Lee (2006)
- World of Warcraft Convention Sectional Ashcan (2007)
- Ex Machina #forty (2008)
Paradigm Comics [edit]
- Darker Paradigm #i (1993)
- Deathblow #ane–3; (with Trevor Scott): #0 (1993–96)
- Deathmate Black (among other artists) (1993)
- Divine Right #ane–12 (1997–99)
- Gen¹³ #0, 4–vii (1994)
- Grifter/Shi, 2-part miniseries, #1 (with Travis Charest) (1996)
- Moonlight and Ashes: Burn down From Sky, 2-role miniseries, #2 (1996)
- Savage Dragon #thirteen (1994)
- StormWatch #47 (1997)
- WildC.A.T.south (Vol. 1) #1–13 (1992–94), #nineteen (1995), #31–32 (1996–97), #fifty (1998)
- Wildcats/X-Men: The Silver Age #1 (1997)
Curiosity Comics [edit]
- Alpha Flight #51, 53, 55–62, 64 (1987–88)
- Classic 10-Men #39 (new backup story) (1989)
- Conan The Barbarian #242 (1991)
- Daredevil Annual #5 (1989)
- Fantastic 4 (Vol. 2) #1–half dozen (1996–97)
- Ghost Rider (Vol. 2) #5 (1990), #26-27 (1992)
- Guardians of the Milky way #10 (1991)
- Iron Man (Vol. two) #6 (amid other artists) (1997)
- Justice #30 (1989)
- Marvel Comics Presents #33 (1989)
- Spider-Human being #10 (co-inker) (1991)
- Punisher Annual #two (1989)
- The Punisher War Journal #ane–12, 17–xix (1988–xc)
- St. George #8 (1989)
- Critical Mass #4 (among other artists) (1990)
- Solo Avengers (Mockingbird story) #1 (1987)
- Stryfe'due south Strike File #1 (among other artists) (1993)
- The Uncanny X-Men #248 (1989), 256–258 (1989-1990), 267–277 (1990–1991)
- Uncanny Ten-Men 3D #1 (2019)
- What The--?! #v (1989)
- X-Men, (Vol. 2) #1–11 (1991–92)
- Ten-Men Hot Shots (1996)
Marvel Comics/Image Comics [edit]
- WildC.A.T.s/X-Men: The Silverish Age (1997)
Compilations [edit]
- Icons: The DC & Wildstorm Art of Jim Lee (Titan Books, 2010)
Cover work [edit]
Aspen [edit]
- Soulfire #four (variant cover) (2005)
- Iron and the Maiden #4 (variant encompass) (2007)
Nighttime Horse Comics [edit]
- The Umbrella University Dallas #ane (variant cover) (2008)
DC Comics [edit]
- Absolute Superman For Tomorrow (new cover) (2009)
- Superman Batman #10 (variant cover) (2004)
- Catwoman: The Movie (2004)
- Countdown to Infinite Crisis (with Alex Ross) (2005)
- Infinite Crunch #i–ix (2005–2006)
- Captain Cantlet Armageddon #1 (variant cover) (2005)
- Trinity (Vol. ane) #14–18 (2008), #25–27 (2008), #31–33 (2009)
- Final Crisis Secret Files #ane (2009)
- Green Lantern (Vol. 4) #50 (variant cover) (2010)
- Legion of Super-Heroes (Vol. 6) #1–6 (variant covers) (2010)
- DC Universe Online Legends #0 (2010)
- First Moving ridge #6 (variant embrace) (2011)
- Action Comics (Vol. 2) #one (variant cover) (2011)
- Batman (Vol. ii) #two (variant embrace) (2011), #50 (variant cover) (2016)
- Wink (Vol. 4) #3 (variant embrace) (2011)
- Team 7 (Vol. 2) #ane (variant cover) (2012)
- Earlier Watchmen: Comedian #1 (variant encompass) (2012)
- Before Watchmen: Minutemen #1 (variant embrace) (2012)
- Earlier Watchmen: Nite Owl #i (variant cover) (2012)
- Before Watchmen: Rorschach #1 (variant cover) (2012)
- Earlier Watchmen: Silk Spectre #i (variant cover) (2012)
- Before Watchmen: Ozymandias #1 (variant comprehend) (2012)
- Earlier Watchmen: Dr. Manhattan #1 (variant cover) (2012)
- Before Watchmen: Moloch #1 (variant encompass) (2012)
- Before Watchmen Dollar Bill #i (variant cover) (2013)
- Detective Comics (Vol. 2) #27 (variant encompass) (2014)
- The Dark Knight Three: The Master Race #1–9 (variant covers) (2015–2017)
- The Nighttime Knight III: The Master Race Collector'south Edition #1–9 (2015–2017)
- Batman/Superman #18 (Flash 75th Anniversary variant encompass) (2015)
- New Suicide Squad #ix (Joker 75th Anniversary variant cover) (2015)
- Titans Hunt #1 (variant cover) (2015)
- Dark Knight Returns: The Concluding Cause #1 (variant cover) (2016)
- Justice League Of America (Vol. 4) #9 (variant comprehend) (2016)
- Scooby Apocalypse #1–4 (2016)
- Batman (Vol. 3) #19 (Fan Expo Dallas variant embrace) (2017), #45 (variant encompass) (2018), #fifty (variant cover) (2018)
- All-Star Batman #8 (Fan Expo Dallas variant encompass) (2017)
- The Wild Storm #1–12 (variant covers) (2017–2018)
- Kamandi Claiming #8 (2017)
- Dark Nights: Metal #1–6 (variant covers) (2017–2018)
- Hawkman Found #ane (variant cover) (2017)
- Wonder Woman Tasmanian Devil Special #ane (2017)
- Activity Comics (Vol. iii) #1000 (dynamic forces variant cover) (2018)
- Action Comics: fourscore Years of Superman Deluxe Edition (2018)
- Batman (Vol. 3) #45 (2018)
- Justice League (Vol. 4) #i–10 (variant covers) (2018)
- Harley Quinn 25th Anniversary Special #1 (2018)
- Sandman Universe #1 (variant cover) (2018)
- Batman / The MAXX: Arkham Dreams #1 (variant cover) (2018)
- The Immortal Men #2–4 (2018)
- Batman: Damned #1–iii (variant covers) (2018–2019)
- Embrace #6 (variant cover) (2019)
- Detective Comics: fourscore Years of Batman Palatial Edition (2019)
- Detective Comics (Vol. 3) #1000 (Torpedo Comics variant covers) (2019)
- SHAZAM! (Vol. 2) #4 (variant comprehend) (2019)
- RWBY #1 (variant cover) (2019)
- GenLock #one (variant encompass) (2019)
- Wonder Woman (Vol. 5) #750 (variant encompass & Torpedo Comics variant covers) (2020)
- Flash (Vol. v) #750 (2000s variant comprehend) (2020)
Dynamite [edit]
- Red Sonja (Vol. four) #11 (variant cover) (2006), #12 (2006)
- Boys #30 (variant cover) (2009)
- Cherry-red Sonja: Age Of Chaos #1 (variant cover) (2020)
Image Comics [edit]
- WildC.A.T.s (Vol. ane) #21 (1995)
- Fire From Heaven #2 (1996)
- Gen thirteen Preview Edition (1997)
- C-23 #two (variant encompass) (1998)
- Spawn #150 (variant cover) (2005), #200 (variant cover) (2011)
- Image United #1 (variant cover) (2009)
- Liberty Comics #ii (2009)
- Tyrese Gibsons Mayhem #3 (variant embrace) (2009)
Curiosity Comics [edit]
- Alpha Flying #65–66 (1989), #69 (1989), #75 (1989), #87–90 (1990)
- Wolverine #24,#25, #27 (1990)
- The Uncanny X-Men #256, #257, #258, #260, #261, #268 (1989–1990), 286 (1992)
- 10-Gene #62 (1991)
- Avengers (Vol. two) #eight (1997)
- Avengers (Vol. half-dozen) #9 (variant cover) (2017)
- Quondam Man Logan (Vol. 2) #26 (variant cover) (2017)
- Punisher (Vol. 10) #xiv (variant comprehend) (2017)
- X-Men Blue #1 (variant cover) (2017), #7 (variant cover) (2017)
- X-Men Gold #one (variant encompass) (2017), #7 (variant cover) (2017)
- Astonishing 10-Men (Vol. iv) #1 (variant cover) (2017)
- Ms Curiosity (Vol. 4) #20 (variant embrace) (2017)
- Thanos (Vol. 2) #9 (variant comprehend) (2017)
- Deadpool (Vol. five) #33 (variant embrace) (2017)
- Invincible Iron Man (Vol. three) #ix (variant cover) (2017)
- Fe Fist (Vol. 5) #5 (variant cover) (2017)
- Generation X (Vol. two) #4 (variant cover) (2017)
- Uncanny Avengers (Vol. 3) #25 (variant embrace) (2017)
- Champions (Vol. ii) #10 (variant encompass) (2017)
- Weapon Ten (Vol. 3) #5 (variant cover) (2017)
- Doctor Strange (Vol. 4) #23 (variant comprehend) (2017)
- Helm America: Steve Rogers #nineteen (variant cover) (2017)
- Peter Parker: The Spectacular Spider-Man #two (variant cover) (2017)
- Mighty Thor (Vol. 2) #21 (variant cover) (2017)
- Black Panther (Vol. 6) #16 (variant encompass) (2017)
- Spider-Man (Vol. 2) #18 (variant cover) (2017)
- Venom (Vol. iii) #152 (variant encompass) (2017)
- Daredevil (Vol. 5) #23 (variant cover) (2017)
- Defenders (Vol. five) #iii (variant cover) (2017)
- Astonishing Spider-Human (Vol. four) #30 (variant encompass) (2017)
- Royals #5 (variant cover) (2017)
- Cable (Vol. 3) #three (variant cover) (2017)
- All-New Wolverine #22 (variant embrace) (2017)
- Jean Gray #4 (variant cover) (2017)
- Gwenpool #eighteen (variant embrace) (2017)
- Captain America (Vol. viii) #700 (variant cover) (2018)
Vertigo [edit]
- Transmetropolitan #25–26 (1999)
- Codename: Knockout #14 (variant cover) (2002)
- American Vampire #1 (variant cover) (2010)
- Django Unchained #i (variant encompass) (2012)
- Sandman Overture #i (variant embrace) (2013)
- Mad Max Fury Route #1 (variant cover) (2015)
- Sandman Universe #i (variant cover) (2018)
WildStorm [edit]
- Wildcats (Vol. 2) #1 (variant cover) (1999)
- Star Trek Voyager: False Colors (2000)
- Gen xiii (Vol. 3) #0 (variant embrace) (2002)
- Thundercats (Vol. two) #2 (variant encompass) (2002)
- Skye Runner #one–two (variant covers) (2006)
- Ninja Curlicue #one–3 (variant covers) (2006)
- Cherry-red Sonja/Claw: Devils Hands #1–two (variant covers) (2006)
- World of Warcraft #1–6 (2007–2008)
- New Dynamix #ane–2 (variant covers) (2008)
- Image #i (variant cover) (2009)
- Modern Warfare ii Ghost #1 (variant encompass) (2009)
- Ex Machina #50 (variant cover) (2010)
- DV8 Gods & Monsters #1 (variant cover) (2010)
Writer [edit]
DC Comics [edit]
- Scooby Apocalyspe #1 (2016)
Image Comics [edit]
- Stormwatch #0 (1993), #3 (1993)
- Darker Image #1 (1993)
- WildC.A.T.southward (Vol. ane) #one–9 (1993–1994)
- Kindred #i–4 (1994)
- Stormwatch Sourcebook #1 (1994)
- Roughshod Dragon (Vol. 2) #13 (1995)
- Divine Right #1–12 (1997–1999)
- Gen thirteen Preview Edition (1997)
Marvel Comics [edit]
- Fantastic Four (Vol. ii) #i–12 (plot) (1996–97)
- X-Men Wrath of Apocalypse #1 (1996)
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In a landmark deal, DC purchased Jim Lee's WildStorm imprint, gaining another super hero universe.
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The premier upshot showcased the writing of Warren Ellis and the artistry of Jim Lee in the story 'To Get the Bat'.
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The new senior executive team includes Jim Lee and Dan DiDio, who have been named Co-Publishers of DC Comics, and Geoff Johns, who would serve as Chief Artistic Officer of DC Entertainment.
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Scott Snyder and Jim Lee's forthcoming Superman monthly title will be previewed in the issue.
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{{cite web}}
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External links [edit]
Wikimedia Commons has media related to Jim Lee. |
- Jim Lee at the Comic Book DB (archived from the original)
- Jim Lee on deviantART
- Jim Lee on Twitch
- Jim Lee at Mike's Amazing World of Comics
- Jim Lee at the Unofficial Handbook of Marvel Comics Creators
- Jim Lee's aqueduct on YouTube
- Jim Lee on Discord
- Sunday of Gelatometti – A blog of multiple artists, including Jim Lee
daigletheryiewer92.blogspot.com
Source: https://en.wikipedia.org/wiki/Jim_Lee
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